The new Mono Synth comes with a notable expansion, as it adds two more voices and two more storage spaces. This pedal features 9 synth voices, with 9 empty slots to memorize your settings. A couple of years ago, we saw a brand-new Synth9 Synthesizer Machine, which is a direct predecessor of the product we are talking about in this review. MicroSynth guitar and bass pedals have been around for a quite long time. This pedal comes from a highly renowned pedal manufacturer, which already has a nice portfolio of synth pedals. This is a simple, plug and play stompbox, which will fit any guitar, amp and pedalboard, without any impact on other units in your chain. No need for special pickups, MIDI or other guitar modifications. The best thing about this pedal is that you don’t need any kind of additional device. First of all, it delivers a full load of amazing synth effects, which sound amazing, on par with original units. The Electro-Harmonix Mono Synth is an impressive unit for many reasons. Like never before, you can get all the great synth tones, vintage or modern, in a super-convenient way. Thanks to huge technological progress in the past few decades and the arrival of digital effects, genuine synth sounds are more accessible than ever. OBLIVION – big, lush, warm synth tone with a warbling modulation effect.ĮXP: controls the resonance of the filter.Synth effects have been a secret desire of many guitar players for decades. The pitch ranges from -1 octave-at the heel-to + 4 octaves-at the toe.ġ1. SPECTRE – multi VCO synth with an added adjustable pitched note.ĬTRL: adjusts the filter’s cutoff frequency.ĮXP: controls the pitch of the added note in half-step increments. UNISON – the huge sound of stacking voices on a polyphonic synthĬTRL: adjusts the attack and decay times of the filter envelope.ġ0. WUB – pulsating synth with a modulating filter.ĮXP: controls the filter’s center frequency.Ĩ. SUB – round sub-octave synth for adding low end.ĬTRL: controls the volume of the sub-octave oscillator.ĮXP: controls the cutoff frequency of the filter.ĮXP: controls the filter envelope’s sweep depth or frequency range.ħ. COSMIC – bright and aggressive synth with subtle pitch modulation.ĬTRL: sets the decay time of the filter envelope.ĥ. Decay time increases as the pedal is swept from heel to toe.Ĥ. As CTRL is turned clockwise, both resonance and filter envelope frequency range increase.ĮXP: the expression pedal controls the filter envelope’s decay time, which is triggered by pick attacks. SENS: higher settings make for wider filter sweeps.ĬTRL: adjusts both filter resonance and sweep depth of the filter envelope. ACID – fast decaying synth reminiscent of the TB-303. SENS: sets filter sweep envelope follower depth and synth volume.ĬTRL: adjusts the decay time of the filter envelope.ĮXP: controls the cutoff frequency of the filter and the base of the filter envelope sweep.ģ. X-FADE – multi VCO synth with some dry signal added to the filter sweep. As the pedal travels from heel to toe the filter frequency goes from bass to treble.Ģ. As CTRL is turned clockwise both the attack and decay times slow down.ĮXP: the expression pedal controls the cutoff frequency of the filter and sets the jump-off frequency for the envelope sweep. The factory presets are also easy to restore should you wish to.įrom lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.ĬTRL: this knob adjusts the attack and decay times of the filter envelope. Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal! It varies depending on the preset and provides more tweakability for customizing your sound. With the CTRL knob you can adjust a key parameter for each of the eleven synth types. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig & playing style. Used together they let you create just the right mix. SYNTH controls the volume of the Synthesizer sound at the Synth Output. DRY controls the volume of your dry bass signal at the Synth Output. Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers… from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more. The Electro-Harmonix Bass Mono Synth Bass Synthesizer pedal.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |